FREE Tickets to see Queen Latifah November 3, 2009 and Ice Cube December 10, 2009!
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We are offerring two pair of FREE Tickets each to see Queen Latifah November 3, 2009 and Ice Cube December 10, 2009 at for the 8:00 pm shows at The Regency Ballroom in San Francisco, CA. The tickets will be awarded via our Twitter or Blog, so if you haven’t already, you should join us on:
Twitter at: http://twitter.com/xzwhy , http://twitter.com/ajalil or go to the
Blogs at: http://superstarmanagement.wordpress.com or http://NowTruth.Org/ and leave your request in the comments box with your email address.
Date: Tue, Nov 3, 2009
Showtime: 8:00 PM
Days until show: 11
Doors open: 7:00 PM
Queen Latifah: musician; television and film actress; a label president; an author and entrepreneur. Blessed with style and substance, Queen Latifah has blossomed into a one-woman entertainment conglomerate. Heralded by the press and the industry as a force to be reckoned with, Latifah has quite simply done it all and shows no sign of slowing down. Latifah has had amazing success in Hollywood in recent years, and became the first hip hop artist to be crowned with a star on the Hollywood Walk of Fame on January 4, 2006. She received rave reviews, an Oscar nomination for Best Supporting Actress, a Golden Globe nomination and a SAG Award nomination for her portrayal as Mama Morton in Miramax’s Chicago. Following Chicago, Latifah starred in Disney’s box office hit Bringing Down the House, on which she also acted as executive producer. In addition to music, film and television, Queen Latifah has also written a book on self-esteem entitled Ladies First: Revelations of a Strong Woman. Queen Latifah is diligent in her pursuit of excellence, as is evident by the awards she has received for her work in film and music. Her sincere concern for others is revealed by the generous amount of time and money that she donates to worthwhile charitable organizations. Every year, Queen Latifah serves as co-chairman for the Lancelot H. Owens Scholarship Foundation, Inc. Established by her mother, Rita Owens, to perpetuate the memory of a loving son and brother, the foundations provides scholarships to students who excel scholastically, but are limited in financial resources.
Date: Thu, Dec 10, 2009
Showtime: 8:00 PM
Days until show: 48
Doors open: 7:00 PM
When rap exploded creatively and commercially in the late 1980s, Ice Cube was at the forefront of the expansion. As the lyrical brains behind N.W.A, the Los Angeles-based rapper instantly became a major player in the music game by leading a musical revolution with brutal, profane, politically-infused music that, for the first time in the genres history, sold millions of albums with N.W.As Straight Outta Compton. As a solo artist, Ice Cube became raps premier act with the release of the searing masterpieces AmeriKKKas Most Wanted and Death Certificate.
Now, after becoming Hollywoods most bankable actor thanks to his Barbershop and Friday franchises, Ice Cube returns to his first artistic love, rapping. Laugh Now, Cry Later, the multi-platinum, award-winning music icons first solo album in six years, simmers with celebration, as well as the rage, reflection and introspection that are the hallmarks of timeless music. I feel Laugh Now, Cry Later is the state of the world, of America, of urban America, of hip-hop, Ice Cube explains of his seventh solo album. It seems like everybody is playing and nobody’s worried about anything.
On the explosive Scott Storch (50 Cent, Dr. Dre, Beyonce) produced Why We Thugs, Ice Cube blasts an oppressive system that cripples Americas ghettos and fosters the perpetual ruin of such areas as South Central, Compton and Long Beach, Los Angeles metropolitan areas that have been war zones for decades.
Now, with the impending release of Laugh Now, Cry Later, his first solo album released on his own Lench Mob Records, Ice Cube is on top of his creative game and relishing in his ability to make his latest album at his own pace and on his own terms.
I’m putting my money where my mouth is because theres nothing a major label can do for me that I cant do for myself, he says. Not being signed to a particular label, putting it out myself, not having to worry about what a company or anyone else has to think about the record, being able to just go in and do it how I feel it with no timelines or deadlines, it made me comfortable. I was able to recommitment myself to rhyming and rapping. That all molded the way that this record sounds, which is important because I want my records to last the rest of the year when they come out.
Truth be told, Laugh Now, Cry Later will last well into the next decade.
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